I have always been fascinated by the ability of photography to capture the essential moment, the blurred gesture, the sitter and her double. Whether it be the mirror reflection of a ghostly daguerreotype or a playful double exposure, I am mesmerized.
. . .Every object, however minute, is a perfect transcript of the thing itself; the hair of the human head, the gravel on the roadside, the texture of a silk curtain, or the shadow of the smaller leaf reflected upon the wall, are all imprinted as carefully as nature or art has created them in the objects transferred; and those things which are invisible to the naked eye are rendered apparent by the help of a magnifying glass. (...)
I now rode along the foot-path toward Drusenheim, and here one of the most singular forebodings took possession of me. I saw, not with the eyes of the body, but with those of the mind, my own figure coming toward me, on horseback, and on the same road, attired in a dress which I had never worn (...)
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